gordon bennett notes to basquiat

Inscriptions: "G. Bennett Nov. 1999 / Notes to Basquiat: Untitled"--On verso. Get the best price for your artwork or collection. I feel I can understand Here's looking at: Blue poles by Jackson Pollock. Jean-Michel Basquiat I salute you. Add to favourites. Gordon Bennett. 120 x 80cm Free entry, Find out what you need to know before visiting, Untitled (reference to Colin McCahon's 'Valley of the dry bones'), Myth of the Western man (White man's burden), Outsider/ insider: the art of Gordon Bennett, Mmoires vives: une histoire de l'art aborigine, Australian art and the Russian avant-garde. Born in 1955 in Monto, Queensland, Bennett was unaware of his mother's . (2014). Gordon Bennett, Notes to Basquiat (The Death of Irony), 2002, National Gallery of Australia, . Written just three years after Bennett graduated from art school as a mature aged student, it gives a very clear sense of his early ambition and political purpose. Notes to Basquiat: Female Pelvis by Gordon Bennett | Art.Salon Writing in his Manifest Toe in 1996, Bennett said: If I were to choose a single word to describe my art practice it would be the word question. Haptic Painting (Explorer: The Inland Sea) 1993 Synthetic polymer paint on canvas / 177 x 265cm The Estate of Gordon Bennett, Collection: Commonwealth Bank of Australia, Gordon Bennett Australia 1955-2014. I already knew Bennett was in dialogue with other artists and their distinct painterly idioms: Mondrian, Margaret Preston, Thomas Bock, Jean-Michel Basquiat and Jackson Pollock to name just a few. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia In 1995 Bennett began making work under the name 'John Citizen'. I think it seeks to go beyond the words on the paper into a world of metaphor, allegory, images and ideas in order to say something that may not be said with just words.3, 1. Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. GORDON BENNETT (1955 - 2014) NOTES TO BASQUIAT: CUT THE CIRCLE II, 2001 synthetic polymer paint on . Representation itself is political. Bennett's painting Notes to Basquiat (2001) presents . revealed. 11, Paris, Nov 2013-Dec 2013, 11 (colour illus.). Unfinished Business: The Art of Gordon Bennett - QAGOMA Blog and painterly fields of your work and particularly to the layered lines Medium. Gordon Bennett Notes to Basquiat: Modern Art, Sherman Galleries, exh. Ewen McDonald (Editor), Biennale of Sydney 2000, Sydney, 2000, 39 (colour illus. Bennett not only borrows images from the work of American artist Jean-Michel Basquiat, but also begins to mimic Basquiat's spontaneous and gestural urban style of painting, reflecting his involvement in the graffiti culture of the United States. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia GORDON BENNETT (b. 1955) Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia past efforts to "explain" myself - it reads: "Cultural identities are Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett | National Home Decor (After M Preston) No 3 2010 2010 Synthetic polymer paint on linen / 182.5 x 152cm The Estate of Gordon Bennett. Gordon Bennett - Art - LibGuides at Melbourne High School reality embodied in the idea "that we are all alike underneath" is also Ultimately betraying Bennetts highly idiosyncratic vision however, is his characteristic engagement of the viewer here through his thesaurus inspired word-play designed to activate the complex web connecting sight, speech and thought, and thus highlights the links between history and meaning established in his oeuvre. His three paintings titled Possession Island are based on a 19th century etching by Samuel Calvert. These shapes are coloured red, yellow and black referencing the Aboriginal flag and loss of a culture. Gordon Bennett - Sutton Gallery Gordon Bennetts series Notes to Basquiat By Julie Ewington 1992 exhibition at the Whitney. and levels we can relate to each other as human beings in the world of signed and dated verso: G. Bennett 8 -03-2001. title, medium and dimensions inscribed verso: NOTES TO BASQUIAT: CUT THE CIRCLE II / Acrylic on linen / 5 x 6, 152 x 182.5 cm. Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. Khaled Sabsabi, Look, 'The art that made me', pg. View upcoming auction estimates and receive personalized email alerts for the artists you follow. It is anything but. As Jill Bennett elucidates, Bennett does not simply imitate or act as Basquiat [Rather] he is interested in how Basquiats work might be encountered from a different place, and what happens when different accounts of history and experience are registered simultaneously within a given frame2, Accordingly, in the present Notes to Basquiat: (Ab)original, 1999, the experience of race and life generally in the northern and southern hemispheres is both differentiated and conflated through Bennetts highly sophisticated mimicry of Basquiats spontaneous urban style. cultures, with wider historic references to the radical and the marginalised. Digital master available National Library of Australia; Request this item to view in the Library's reading rooms using your library card. born 1955. 152: GORDON BENNETT. Notes to Basquiat: Kwijibo 1998 Gordon Bennett explored indigenous past through his conceptual art, Retrieved August 24 2014, from, http://www.smh.com.au/comment/obituaries/gordon-bennett-explored-indigenous-past-through-his-conceptual-art-20140627-zsnql.htm. Gordon Bennett. Moreover, Bennetts work is aesthetically similar to American artist Jean-Michel Basquiat. 120 x 80cm I am trying to paint the one painting that will change the world before which even the most rabid racists will fall to their knees of course this is in itself stupid and I am a fool but I think to myself what have I got to lose by trying? Measurements. Notes to Basquiat: one tense moment, Bellas Milani Gallery, Fortitude Valley, Jun1999Unknown, Biennale of Sydney 2000, Museum of Contemporary Art, Australia, 26May200030Jul2000, Outsider/ insider: the art of Gordon Bennett, AAMU, Museum of contemporary Aboriginal art, Utrecht, 21Jun201209Dec2012, Mmoires vives: une histoire de l'art aborigine, Muse dAquitaine, Bordeaux, 16Oct201330Mar2014, Australian art and the Russian avant-garde, Art Gallery of New South Wales, Sydney, 29Jul201729Oct2017, Carnivalesque, Art Gallery of New South Wales, Sydney, 23Jun201828Oct2018, Jrme Bellay (Editor), Le Journal du Dimanche, 'L'art aborigne, la croise des mondes', pg. NOTES TO BASQUIAT: (AB) ORIGINAL, 1999 | Deutscher and Hackett ^ Gordon Bennett in Gordon Bennett: Selected Writings, Power Publications and Griffith University Art Museum, 2020, p. 132. Unfinished Business: The Art of Gordon Bennett NOTES TO BASQUIAT: CUT THE CIRCLE II, 2001 - Deutscher and Hackett Get the best price for your artwork or collection. Bennett's view of a shared cultural and lived-experiences led to his 'Notes to Basquiat' series (1998-2002), inspired by the work of American artist Jean-Michel Basquiat (1960-88). You lost your balance. Gordon Bennett Notes to Basquiat: Australia Day Re-enactment, 1999 Acrylic on linen 182.5 x 182.5cm + Gordon Bennett Home dcor (Preston + de Stijl = Citizen) Panorama, 1997 Acrylic on canvas 182.7 x 365.3cm National Gallery of Victoria + Gordon Bennett Possession Island . His paintings are not expressionist. that make us the individuals we are and the histories of shared experience Eccles, J. Anchoring the composition is a confronting tortured skeletal figure, that embodies a shared stereotyping of blackness, yet more universally suggests a common humanity that beneath ones skin we are all alike underneath. of different experience and layers that make us the individuals we are Gordon Bennett: Illuminations or a season in hell | Artlink Magazine document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Gordon Bennett Notes to Basquiat (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm, http://www.abc.net.au/arts/blog/arts-desk/Gordon-Bennett-artist-who-scaled-heights-of-artworld/default.htm, Psycho-social and psychological perspectives on religious violence (week4). The late artist, of Indigenous and Anglo-Celtic ancestry, expressed his disgust through wit and anger in a variety of . Synthetic polymer paint on paper synthetic polymer paint on canvas. Gordon BennettAbstraction (Native) 2013acrylic on linen183 x 152.3cmCollection: Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2013 The Estate of Gordon Bennett. Gordon Bennett. View Scale Rotate. Probability, Rap and coincidence Notes to Basquiat: Famous boomerang 1998 Georges Petitjean, Kitty Zijlmans and Ian McLean, Outsider/insider: the art of Gordon Bennett, Ghent, 2012, 50 (colour illus.). we give to the different ways we are positioned by, and position ourselves The diversity of Bennetts work is another striking feature. ), 210. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. (LogOut/ Notes to Basquiat:(ab)Original 1998 He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. . Notes to Basquiat: Double vision2000Gordon BENNETT. Code #:14841 LOCATION: Redfern NSW . Five things to know about Gordon Bennett | Tate Oil and synthetic polymer paint on canvas Two parts: 162 x 260cm (overall) In Gordon Bennetts splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word mono in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a monoculture. You need Flash player 8+ and JavaScript enabled to view this video embedded. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia. Of course, this price has nothing to do with the top prices that other . Review: Unfinished Business: The art of Gordon Bennett, QAGOMA, Brisbane. We will contact you if necessary. Read more: signed and dated twice, and inscribed with title verso: 16-10-1999 / G Bennett / G Bennett 1610-1999 / NOTES TO BASQUIAT: MODERNITY / , Sutton Gallery, Melbourne (stamped on stretcher bar verso)pARTners Art Collective, Melbourne, acquired from the above in July 2007, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat. . We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. Access more artwork lots and estimated & realized auction prices on MutualArt. The pop art inspired paintings of the Coloured People and Interiors series seem glossier and less political than Bennetts other work, but this is not the case. (2010). Mclean, I. Can I get copies of items from the Library? on exhibition catalogue front cover), Aulich, A., Visual Arts, The Melbourne Review, Melbourne, issue 21, July 2013, pp. Read more: Galtung (2009) explains in the article Cultural Violence how historical systems of racial oppression exist permanently within contemporary social consciousness. Notes to Basquiat was named for the American Jean-Michel Basquiat (196088), a precocious young artist of Puerto Rican and Haitian-American heritage, originally a graffiti artist, whose star flamed brightly in the energetic international art world of the 1980s; Perfect teeth riffs on Basquiats own paintings. We respectfully advise Aboriginal and Torres Strait Islander peoples that this site may include images, or intellectual property, that may be of a sensitive nature. Notes to Basquiat - Big Shoes - 2002. Major retrospectives of his work toured Icon and Arnolfini galleries and Heine Onstad Kunstsenter in Europe during 19992000, Australian State galleries between 20072009 and The Netherlands in 2012. The Estate of Gordon Bennett, Collection: Queensland Art Gallery / Gallery of Modern Art. Gordon BennettNotes to Basquiat: Boogieman Blues 1999acrylic on linen182.5 x 182.5cmCollection: Private, Adelaide The Estate of Gordon Bennett. Synthetic polymer paint on linen / 183 x 152.3 x 3.2cm, The Estate of Gordon Bennett Private Collection, Adelaide, Gordon Bennett Australia 1955-2014. signed, dated and inscribed with title verso: G Bennett 15-03-2001/ "NOTES TO BASQUIAT: MYTH OF THE WESTERN MAN". Notes to Basquiat: Modernity, 1999 is a bridge between these two series, synthesising the main motifs of each into a tightly articulated composition exposing how words and images shape our cultural identity.The array of appropriated motifs within Notes to Basquiat: Modernity tesselate to create a dynamic composition, their collaged intuitive arrangement providing a decidedly contemporary aesthetic. 1 / 1 - Notes to Basquiat - Big Shoes - 2002. In the wake of his untimely death less than two years ago, Gordon Bennett has been championed as a hero of Australian art who drew inspiration from Australias colonial past and postcolonial present to powerfully interrogate the role of language in structuring the ideologies that so determine our personal and cultural identities. 152.0 x 182.5 cm. Gordon Bennett, Retrieved August 24, 2014, from, http://www.ngv.vic.gov.au/gordonbennett/education/04.html. (2014). We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. cat., 2001, front cover View artist profile Add to wishlist. In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. Gordon Bennett (19552014) worked for Telecom Australia before quitting his job at the age of thirty and enrolling in a fine arts degree at Queensland College of Art. It weaves . Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Due to major building activity, some collections are unavailable. Notes to Basquiat: Unreasonable facsimile 1998 Gordon Bennett Neo-Expressionism | by Exposition Art Blog | Medium 38.0 x 53.5 cm . If I were to choose a single word to describe my underlying drive it would be freedom To be free we must be able to question the ways our own history defines us. Write an article and join a growing community of more than 163,400 academics and researchers from 4,609 institutions. This conversation is manifest quite literally when Bennett drafts a letter to the - then already deceased - Basquiat, outlining his reasons for emulating his style. Closed Good Friday & Christmas day material existence, even though we may be separated by cultural context, Far from being eternally fixed in Michel Basquiat and the "Dark" side of Hybridity" by Dick Hebdige, in Both series used a conspicuous sampling of other artists work, re-contextualising these images into symbols of the wider exclusion and disenfranchisement of indigenous peoples. Bennett died in 2014, aged 58. Notes to Basquiat: Australia Day re-enactment 1998 109 Bennett's mimicry of Basquiat's style is not an attempt to be like Basquiat or to get an authentic street beat into his life. Please check your requests before visiting. Notes to Basquiat: Australiana 1998

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